两个女主之间的共生、镜像、犯罪同盟和暧昧关系only homophobes refuse to admit it's love;女佣和中产阶级家庭之间琐碎日常下暗流涌动的愤怒与仇恨接到找文件电话时女佣惊恐中断然挂掉的电话、被调到高音量的电视、颤抖的手指;与莫扎特歌剧并行的谋杀全无动机与铺垫不愧为“冷酷祭奠”;两位女主面无表情高效凌厉女佣朝书柜开的绝望的几枪;poetic justice的达成竟是与女佣看似最为尊重友善的Melinda的录音机和修好的车
人间情感观察员:222.46.236.202
桑爪很赞啊最后那个大力又克制的涌抱太难了后半段她的几次情绪起伏都给我整哭了执着地怀着期待却被内心的痛苦压抑无能为力的人生好无助啊还好一切努力都值得震动棒虽然let it go很难但日子总要继续结尾哭抽了当然大神的配乐也有加持
猫王与阿根廷:106.82.152.5
It was old Howard Hawks who supplied this definition of a good movie: "Three great scenes. No bad scenes." "Mission to Mars" only gets the first part right.