Starts with the most formulaic and exhausted trope: the old accomplished cop on the verge of retiring dies, and his partner decides to take vengeance upon the villain responsible of his death. This one too is just as compliant to the standards & clicheys of the 80's hotcop: good heart but blamable methods. Dafoe's persona by contrast is appealing, esp. due to his (justified) artistic tendencies, a pretext for aesthetic interior settings - "Dance" by Matisse can be spotted during a fit of giggles. Later the storyline swerves off the beaten path with a couple of crushing failures for our cops, but not without good entertainment value (engaging car chase & final showdown). Good epilogue as well
"Film producers like George Romero and John Carpenter should show some strength..." 算是卡朋特式自夸和对罗梅罗的赞赏吗对冷战时势的黑色幽默式改编一人之下真人版电视剧在线观看其实不论是黑白主角搭档那一段长得不合理的纠缠打斗还是避免正邪决战的开放式结局都是服务于卡朋特“发现并承认政治及消费主义侵入和日常性洗脑”的主题之下的作出一决雌雄之姿正义必胜反抗必胜匆匆结尾反而会显得轻率儿戏男主角贡献了好多经典台词黑墨镜就此成为80、90年代科幻电影标配道具之一